A guy can wear the exact same shirt in a dozen scenes, but women need head to toe new everything every scene, so we’ve got a lot more overhead expenses. In most instances, we’re also responsible to pay for our wardrobe. It costs $165 each time and insurance doesn’t cover it. Like any other job, what you put in is what you get out, and if you’re enjoying yourself too much, you’re probably not doing your job to the best of your ability.Īs actors, we are responsible to get and pay for a full panel of urine and blood tests every 14 days to ensure we’re healthy. People are often surprised to learn that porn is a day job. I love chatting and long-winded dirty talk definitely takes a degree of skill and creativity. My secret weapon as an adult entertainer is my gift of gab. It’s an amazing time to interact with people directly, and it’s helped humanize us more as performers. I’m a one-woman show when it comes to content creation: I do my own filming, editing, and uploading. I’m also on Pornhub, OnlyFans, MiniVids, Clips for Sale, and even play video games over live-stream on Twitch. I run my own 18+ website and I’m a brand ambassador for Cam4. More than anything, this pandemic has proved our worth as content-creators. I have to say, cam girls were really ahead of the curve, because content truly is king. There’s no residual revenue from films unless you’ve got a stake in the movie, and 95% of us don’t. Since porn isn’t a forever career, content-creation is our safety net. I hosted the 2019 AVN Awards, known as the «Oscars of Porn,» I have products sold in stores (Fleshlight developed an encased sleeve male sex toy molded directly from my own lady bits, and I get monthly residuals from it), I feature-danced in Italy, and now I have the ability to talk and shake my boobs for profit from home. I have no regrets getting into the business it’s led me to a better life than I ever expected. Rain posing with her poster modeling for Cam4, an adult website. The #MeToo movement and social media has given us the ability to say no more often and helped make the industry safer by outing people for their bad behavior. I’m known as a diva in the industry, but at the end of the day, I’m just protecting myself. I also have a list of the only 20-30 guys I’m willing to work with. Some of my nos include being suspended in air or allowing anyone to repeatedly slap me in the face. I’m very vocal about what I will and won’t do at my job. That’s when I began working in adult film, and the rest is history. By then I was 25, and I contacted a well-known industry agency to start repping me. I started doing solos for a couple of websites and shot a centerfold for Hustler magazine that was released in 2013. From there, I did work for Playboy TV, which was technically my first soft porn experience. I was still modeling and dancing when I got hit up to do skits and games for «The Playboy Morning Show,» which led to being on the cam site Playboy Live when I was 23, which was so much fun. Then if we wound up in the VIP room, boundaries and respect had long been established. I always sat next to someone and started a genuine conversation. I credit my early strip club days with learning how important a conversation and setting a mood can be. I loved modeling and dancing so much that I literally woke up one day and went to an audition at a nude club called 4Play in Los Angeles and became an exotic dancer. When I was 19 years old I did some doing freelance nude modeling for a site called Model Mayhem. I was 25 when I started doing hardcore porn, which is considered old to first get started, and I’m 32 now. The average lifespan in the adult film industry for a woman is two to five years.Īnything beyond that and you’re considered a veteran, like me. Still, when businesses and restaurants are forced to close their doors, it’s probably not the best time to shoot a gang bang.
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